Luisa Tora has been busy finishing her Bachelor of Creative Arts at Manukau Institute of Technology in South Auckland. But in the past 18 months she has also shown at St Paul St Gallery, Fresh Gallery Otara and OTARAwindow (which was also featured in the NZ Herald here), at Nathan Homestead, in a pop-up exhibition for the Auckland Pride Festival at Pitt Street Methodist Church, in a poster exhibition for IDAHOT, undertaken an internship with Auckland Museum AND had her work purchased for the Te Papa Tongarewa permanent collection!

Whilst developing on a new work for Between Wind and Water, Luisa slipped in another exhibition: The Drowned World curated by Daniel Michael Satele for Tautai Trust. As part of her enquiry into her village’s origin story and totemic relationship with the shark, Luisa worked with Fijian artist, Joana Monolagi, to create a salusalu [garland; lei] from laser cut Perspex. Read more here.

For Between Wind and Water, Luisa has developed a new and experimental installation entitled, Naqalotu: Na qalo tu.

‘Na qalo tu’ celebrates the central role of vasu and the ocean in my life. It profiles the strong, beautiful females who sustain, influence and inspire me. This offering merges the narratives of my village, Naqalotu’s origin story; our ika, the shark; and my vasu support system.

Luisa will discuss her work as part of a special panel discussion on Wednesday 21 January at Enjoy Public Art Gallery. Guest speakers Kaliopate Tavola (Fiji) and Milena Palka (WWF New Zealand), will speak to the wider themes of Fijian identity and totemic relationships, and the protection and state of shark populations in the Pacific.

When

Naqalotu: Na qalo tu – A panel discussion on new work by Luisa Tora
5.30pm, Wednesday 21 January

The residency of Between Wind and Water artists will take place from 10-24 January; the exhibition will be on show until 31 January.

Where

Enjoy Public Art Gallery is located on the First Floor, 147 Cuba Street, Wellington, Aotearoa New Zealand.

 Between Wind and Water has been produced with support from

BWAW sponsors1

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