Posts from the ‘Pacific Art + Artists’ category

I’m currently writing a profile on Otara-based Samoan visual artist, Genevieve Pini for the upcoming issue of SOUTH.

Genevieve went to McAuley High School in Ōtāhuhu before studying at Manukau School of Visual Arts (now MIT Faculty of Creative Arts) and NZ Fashion Tech. She has regularly featured in South Auckland’s annual fashion competition, Cult Couture and shown numerous times at Fresh Gallery Otara.

I’ve always loved this photograph Genevieve shot in 2004. She took it at the house where she got her malu (traditional Samoan female tattoo) in Otara.I love the light on the subject’s shoulder and all the South Auckland signifiers.

I’m interested in Genevieve’s attitudes towards exhibiting, making and being tattooed, and enjoying the process of writing about her.

SOUTH is an annual publication about Māori and Pacific arts and culture in South Auckland. The upcoming issue will be launched on Saturday 12 January 2013 at Papakura Art Gallery. More info coming soon!

 

I’m producing a fashion editorial for the upcoming issue of SOUTH, an arts publication I co-edit with Nigel Borell about Maori and Pacific arts and culture in South Auckland. Three South Auckland designers will be styling a series of concept images about their inspiration, space, style and creative conviction. I tagged along with Samoan designer Genevieve Pini to find an alleyway as a location for one of her ideas. This alleyway in between Dawson Road and Zelda Avenue in Otara was a winner.

In a sea of ‘Council brown’ (the colour so many urban spaces are painted in an effort to discourage tagging and graffiti), a banana tree towers over the rickety tin fence in a burst of tropical greens. I love it.

SOUTH Issue will be launched at the opening of Concealed Ancestors at Papakura Art Gallery, South Auckland on 12 January 2013!

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“E Moemoea” (2012) by Margaret Aull, acrylic, ink, collage on paper.

Concealed Ancestors is the upcoming solo exhibition by Waikato-based visual artist, Margaret Aull, co-curated by Nigel Borell and Ema Tavola for Papakura Art Gallery, South Auckland.

In this new body of work, Aull investigates the concept of tapu / tabu within both Maori and Fijian cultural frameworks. Inspired by research at the Fiji Museum, she explores visual representations of ancestors and deities, spiritual lore, mana and life force.

Utlising ochre used in the making of masi (traditional Fijian bark cloth), Aull incorporates the whenua / vanua within her work. Juxtaposed with imagery from Museum collections, she reclaims and re-activates meaning, creating visual mediations of her blurred genetic code.

Margaret Aull (Te Rarawa, Tuwharetoa, Fiji) has exhibited extensively in New Zealand since 2005 and is currently completing a Master of Fine Arts at Whitecliffe College of Arts & Design.

Check out Concealed Ancestors at Papakura Art Gallery from 12 January – 23 February 2013.

Concealed Ancestors is produced with support from the Pacific Arts Committee, Creative New Zealand and Toi o Manukau.

Click here to read more about Concealed Ancestors

I’ve been invited to curate a small-scale exhibition about the South Auckland entertainment company, Kila Kokonut Krew (KKK) at Mangere Arts Centre – Ngā Tohu o Uenuku. The exhibition acknowledges the 10th anniversary of KKK and coincides with the company’s 2012 presentation of Taro King – the first play they produced in 2002.

This is the second exhibition I’ve curated about Kila Kokonut Krew; the first one, From The Pacific We Rise, took place at Fresh Gallery Otara in 2008. At the time, the company was multifaceted with the music (Nafanua Records), T-shirts (Phat Islanders), the theatre and KTV – Kila Kokonut Krew Television. Fresh Gallery Otara had no operational budget at this time; the exhibition came together with limited resources but successfully depicted the breadth, depth and energy of KKK.

Both KKK and I have come a long way since that first show. Kila Kokonut Krew is now recognised as New Zealand’s leading professional Pacific theatre company and receives regular support from Creative New Zealand. I went on to produce another 50 or so exhibitions in and around South Auckland. Mangere Arts Centre was opened in 2010 and its beautiful new theatre has become a home for KKK and an ideal space to celebrate this landmark anniversary.

The exhibition I’ve developed this year is based on a Pacific Island lounge. I’ve been inspired by an early photographic series by Māori / Niuean / Samoan visual artist, Janet Lilo called Aunty Tina’s House. I’ve also drawn on the experience of being an associate curator for Home AKL at Auckland Art Gallery, an exhibition that feels so far from my own sense of home.
I wanted to create a domestic environment in the Mangere Arts Centre foyer that would invite audiences to sit and relax… to feel at home. Seeing Kila Kokonut Krew’s humour and South Aucklandisms on mainstream stages in central Auckland has always reinforced my connections to the Southside. I wanted to create an exhibition that felt like KKK’s home – a space of comfort and reflection, Pacific cultural pride and markers of growth and development, people and achievement.

The Kila Kokonut Krew 10th Anniversary season including Taro King and the Celebrating 10 years of Kila Kokonut Krew exhibition take place at Mangere Arts Centre – Ngā Tohu o Uenuku from 15-24 August 2012.

The new exhibition Home AKL at Auckland Art Gallery Toi o Tāmaki features 28 Pacific artists, many of which live in South Auckland. In a series of posts about Home AKL‘s South Auckland interface, I asked Associate Curator, Kolokesa Māhina-Tuai about her home suburb of Ōtāhuhu.

How are you involved with Home AKL?

I am involved in Home AKL as an associate curator. My contribution has mainly focused on working with master weavers and crochet artists from Kiribati, Niue and Tuvalu, fine women artists and a multimedia artist from Tonga and a masi (Fijian tapa) printer from Fiji.

Where is home?

I am an Ōtāhuhu resident and have lived here with my husband Kenneth and two daughters – Meleseini (4 years old) and Akesiumeimoana (8 months) – for just over four years. The house that we live in is my husband’s family home where he and his family have lived in since 1981 – so over 31 years – although they have been Ōtāhuhu residents for 35 years. While I consider myself a ‘newby’ I’ve had the advantage of my husband and my in-laws intimate knowledge of Ōtāhuhu guide me especially the best places to eat at. I’ve tried various ethnic food places and my favourite Vietnamese would be Try it Out Vietnamese Restaurant on Atkinson Ave, for Thai I would opt for the Thai food places at Food City Ethnic Food Court on Mason Ave (if you want great food for an affordable price), or Secret Thai Garden Restaurant on Station Rd with its amazing décor which is more pricier but good food nonetheless, and for Malaysian I would recommend Penang Café also on Station Rd. I have also recently discovered AW (Affirming Works) Community Café on the corner of Great South Rd and Princes St, directly across from the Ōtāhuhu Police Station – they do great coffee (grown and imported from Tonga) served in big mugs! My daughter Meleseini and I also love our keke ‘isite (Tongan round pancakes) and a close alternative would be the Samoan panikeke (round pancakes) sold at Pinati’s Keke Pua’a shop on Queen St.

When I first moved to Ōtāhuhu in 2008 my favourite shops that I frequented on a weekly basis were three op shops – one on Great South Rd at the post shop end, the second one on Mason Ave across from the Holy Trinity Anglican Church and the third on Salesyard Rd. My daughter Meleseini and I would attend the wriggle and rhyme programme at the Ōtāhuhu library on High St every Thursday and on our way home we would come through all three op shops. The two op-shops in the Ōtāhuhu town centre have since closed down and there is only the one on Salesyard Rd that remains. Since September last year Meleseini has attended Wee Wisdom Montessori Preschool here in Ōtāhuhu on Walmsley St and loves it. Akesiumeimoana and I continue to attend the weekly wriggle and rhyme programme, which runs on a Tuesday now at the local library and still pop into the op shop on Salesyard Rd now and then.

I came to New Zealand when I was about three years old and have always lived in Central Auckland – first in Grafton, then Parnell and then Mt Eden where my family still lives today. Since living in Ōtāhuhu there are noticeable differences. I love the cultural diversity that can be found here in Ōtāhuhu. I love walking through the Ōtāhuhu town centre and seeing so many brown faces and listening to conversations in various Pacific languages. I also love the proud and long history that Ōtāhuhu holds of which I am still learning about. If you knew nothing about Ōtāhuhu, the façade of old buildings along the town centre and old villas around Ōtāhuhu are tangible evidence of a place with a long history. Some of the interesting historical facts about Ōtāhuhu that my husband has told me about include being:

  • The home of New Zealand’s first supermarket which was located on Great South Rd heading south just before the Dominion Breweries and currently has a petrol station and couple of shops.
  • The current location of Ōtāhuhu College where David Lange (former NZ Prime Minister), David Tua, Sir Barry Curtis (ex-Mayor of Manukau) and Home AKL artists Leilani Kake and Angela Tiatia and Home AKL patron Albert Refiti attended.
  • The location of the old railway workshops where it was one of two major workshops in the north island where trains were fixed. The old railway houses still standing around Ōtāhuhu is a reminder of this time.
  • The home of the Ōtāhuhu Leopards where five New Zealand Kiwis captains have come from including famous coach Graham Lowe.
  • That Xena and Hercules were filmed at the warehouses behind the Harlech House, which currently houses NZ police. It is the tallest building in Ōtāhuhu on Great South Road near KFC.

Why would you like to see South Aucklanders going to see Home AKL?

The Auckland Art Gallery is not an institution that is regularly frequented by islanders let alone South Aucklanders. However, Home AKL is an exhibition worth seeing because the majority of the artists featured are from South Auckland. Those that also frequented Fresh Gallery Otara would see many of the artists that showed there in Home AKL. This is a testament of South Auckland being the heart of Pacific Art. As South Aucklanders, this is something to be proud of and hopefully a good enough reason to make your first visit to Auckland Art Gallery or better yet become a regular visitor for the duration of Home AKL.

The last exhibition I curated at Fresh Gallery Otara was called WWJD (What Would Jim Do?). It was a gesture of appreciation for the leadership and trailblazing of the late Jim Vivieaere (1947-2011).

Tanu Gago and I collaborated to produce this video about the exhibition and its artists. It features excerpts of Jim speaking at the 2010 Curating Pacific Art Forum in South Auckland, part of the Manukau Pacific Arts Summit. For me, the Forum was the most meaningful gathering of Pacific thinkers foregrounding Pacific ways of looking and relating with regards to curatorship. Jim’s contribution is/was/will always be invaluable.

 

 

HOME AKL FREE BUS

There is a free bus service running from Mangere Arts Centre – Ngā Tohu o Uenuku in South Auckland to Auckland Art Gallery Toi o Tāmaki in Central Auckland each Saturday in August!

See life through the eyes of Auckland’s Pacific artists in the new exhibition, Home AKL – the first major group exhibition of contemporary Pacific art developed by Auckland Art Gallery!

The bus departs at 12pm from Mangere Arts Centre – Ngā Tohu o Uenuku, located in the Mangere Town Centre at the corner of Bader Drive and Orly Avenue. Park in the rear car park at the corner of Orly Avenue and Waddon Place.

The bus goes directly to Auckland Art Gallery Toi o Tāmaki arriving around 1pm, in time to participate in weekly public programme events.

The bus returns at 3pm – the pick-up is from Wellesley Street, by Albert Park.

WHAT DOES IT COST

The bus is free, and entry to Auckland Art Gallery Toi o Tāmaki – however, Home AKL is a special exhibition that has an entry fee. Ticket pricing is as follows:

Single Admission $5
Concessions (Student, Beneficiary, Senior Citizens, Groups over 10) $3
Children 14 and under FREE 

A season pass can also be purchased for $20 – this enables visitors to visit as many times as they like!

Read more about this initiative here

South Auckland multimedia artist Siliga David Setoga is currently showing in Home AKL at Auckland Art Gallery (until 22 October). We share a love and respect for Otara – he has been selling t-shirts at the Otara Market under his label, Popohardwear for the past decade. Setoga held his first solo exhibition at Fresh Gallery Otara during my time as the manager and curator.  He made this shirt for me and I love it.