Posts tagged ‘Tainui’

Leilani Kake has made five digital prints for the experimental group show, The Perpetual Flux of Transitional Otherness currently on at Olly in Auckland’s Mt Eden. She explains some of the thinking around these works here…

On July 9th 1863, Governor George Grey issued a proclamation ordering all Māori living in the Manukau and areas closer to the Waikato district to recite the oath of allegiance to Queen Victoria. Any Māori who did not comply were forcibly removed and seen as colonial antagonists. Three days later on July 12th 1863, British Imperial troops, led by Lieutenant-General Duncan Cameron, crossed the Mangatawhiri River and into Kingitanga controlled lands. This was the vanguard of a government sanctioned armed attack and land grab in the guise of punitive justice. December 1863 saw the land confiscation law passed which deemed any tribal land where the owners had ‘engaged in open rebellion against Her Majesty’s authority’ to be confiscated (raupatu). In 2011, member of parliament Hone Harawira called for a change in the wording of the oath of allegiance asking for it to include or replace the reference to the Queen with the Treaty of Waitangi, believing it be more relevant to serve the people rather than the Queen.

Swallow series (2017) by Leilani Kake

My new experimental series titled Swallow reflects how, as a whole, the 1863 campaign of terror is evident in the historical and systemic discrimination that is still deeply entrenched in our government today. The symbolism of the mouth and moko kauae represents the Māori voice; my voice, re-telling New Zealand history to new audiences and questions whether or not to take the ‘prescribed medicine’ of the coloniser as this is still a bitter pill to swallow.

The Swallow series consists of five digital prints (pictured above) measuring 420x594mm. The works in the exhibition, The Perpetual Flux of Transitional Otherness are Artist Proofs from an edition of two. They are sold unframed and priced at NZ$300 each.

The exhibition is open at Olly, 537 Mount Eden Road, central Auckland, until 1 April 2017.

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Pataka 2.0 framed

Martin Langdon

Title: Pataka 2.0
Date: 2013
Edition: Artist Proof
Medium: Dry-point Etch on Archival Paper
Dimensions: 330x435mm [framed]

Artist Statement

The Pataka 2.0 dry-point etch series is a extension of my ‘Piri Āporo’ project which looked at ‘glocalised’ campaigns, in particular supermarkets that utilise Maori cultural elements to appear of local orientation. The outward investigation of how others appropriate what was assumed open source material produced work that utilised ‘face value’ and stereotypes. The extension of this project became an inward evaluation of my relationship to supermarkets – the dependency traps, the dislocation from where food comes from, the values embedded in knowing your food and the land that sustains us.

I have hope for the future as contemporary culture is trending towards community gardens, localized markets, gardens in homes and schools.


Martin Awa Clarke Langdon (Tainui) is a South Auckland-based multidisciplinary artist whose work explores the tensions and opportunities of bi-cultural duality and the third space. Langdon has recently shown in group exhibitions, Ngaru Rua curated by Gabrielle Belz for Nathan Homestead, South Auckland and Mana for Jam at Toi Pōneke Gallery, Wellington. His solo exhibition Dysfunctional Harmony at Papakura Art Gallery in January 2013, presented a series of works and ideas explored during his Postgraduate Diploma of Fine Arts undertaken at the University of Auckland in 2012.

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